History of Dance/Drill Team
The First 20 Years, 1929-1950
by Joyce Pennington

Once upon a time, back in the "roaring twenties," there were pep squads.
Yes, throughout Texas and the Southwest there were pep squads at over 150
high schools that were the predecessors of drill team. They spanned from
the Gulf of Mexico to El Paso, from Central Texas to the piney woods of
East Texas and on to Louisiana and from the Rio Grande Valley to the Permian
Basin of West Texas. Squad sizes varied from 10 to 180 and uniforms were
primarily long pleated skirts and blouses with a military flair. The pep
squads were primarily comprised of girls but some had a few spirited boys
to participate that were from the ranks of the R.O.T.C. In seemed that
with the Great Depression era beginning in 1929, folks were looking for
something positive in their lives. They were looking for ways to renew
personal spirit and enthusiasm. It would be an organization that would
add poise, confidence and social skills. An organized team of young people
that would perform in precision and cheer the home team to victory seemed
to be just the right medicine for the times.
The pep squads had a variety of activities from forming a "T" in the
stands for "Tigers" (El Paso H.S.) to military drills and formations on
the field that had a swing flair. Some of the groups would play drums and
bugles to emulate the drum and bugle corps that were popular around that
time. Deep in East Texas, some of the pep squads would have carved wooden
batons that they twirled in unison. The wooden batons evolved into long
heavy metal batons that were eventually carried by the leaders or officers
in a ceremonial entrance or 'strut.' Each group began to etch their own
identity and style including a variety of looks and changes that would
quickly effect the evolution of team uniforms. While some stayed in the
stands, other groups took to the field with precision drill movements similar
to the band and R.O.T.C. while others added swing moves and performed in
precision to music.
Towards the end of the roaring twenties and beginning of the thirties
around the time of the Great Depression, two women in completely opposite
parts of the state, would change the face of precision performance and
impact our world called drill team. Each carved her own identity in the
groups they directed without ever having crossed paths until several decades
later. In 1929, a petite lady named Gussie Nell Davis, returning from an
education at Texas Woman's College (Texas Woman's University in Denton,
Texas) and a masters degree at UCLA, was asked to come to Greenville High
School in Greenville, Texas, to teach physical education and sponsor the
pep squad. "I turned to my sister (in California) and said, what in the
world is a pep squad?" Miss Davis queried.
The first year, they did stunts and held up letters and did a little
marching. The second year, they expanded on their marching drills and even
did a pigeon release on the field at a halftime. "The third year we got
these real cute little costumes that had sweaters with a 'G' on them,"
Miss Davis said. "They thought we were real cute. We all did! We started
marching and doing all sorts of drills and added some rhythm and dance
steps to music. Then the band started doing it with us!" she added.
"Then after a year or so we changed costumes again and got these cute
little red wool coats with brass buttons and we got caps like the band
with a visor and a little feather on the top front," she said. "They didn't
have such a thing as drum boots or that type. So, we got jodhpurs that
weren't too tall, but had a little bit of heel on them to make those long
skirts look a little bit more graceful," Miss Davis explained.
"One day the girls were paying no attention to me. I looked over to
see what it was and there was a boy at the gates to the football field
where we were rehearsing. I left them and went down to see what the young
man had in his hand," she continued. "What is that thing you have in your
hand?" she asked. "It's a baton," he responded. "And what do you do with
it?" she asked again. "You twirl it," he said. "Show me," she requested.
The group in Greenville was called the Flaming Flashes. Henry Franka,
the coach of the Greenville High School football team at the time said
about his team, "We are just like lightening, our football team is. And
if we are lightening, then you are the flash that is right there with us."
And so became the Flaming Flashes. They added a white satin ascot to their
uniform that had a FF on it. Now it has been shortened to Flashes.
"One of those years Port Arthur High School came up to play Greenville
in the quarter finals of football. They had a drum and bugle corps. We
were sitting in the auditorium when along came something that sounded like
an earthquake...all the thunder in the world. All those drums and bugles
were beating coming up the front steps and around the auditorium," she
explained. "Little did I dream that I would soon be traveling to Orange,
Texas, to see Letcher Stark to buy bugles and drums and to learn sort of
what to do," Miss Davis said. "So, I had to learn to blow a bugle and beat
a drum and after our bandmaster gave me a few lessons, he said, 'Now they're
yours, you take them.' And so, I had a drum and bugle corps."
In the early thirties, over 700 miles away in the Rio Grande Valley,
was a spunky young student named Kay Teer. She was a born leader and was
easily elected as cheerleader in 1930 from a field of over sixty candidates
at Edinburg High School. Because many of the candidates were her friends,
she was sad for the girls who didn't make it since she knew they were just
as anxious to support the team as she was.
She went to Mr. C.A. Davis, the principal of the school, and asked
if there was any way that the other 50 plus girls could form a group to
go out on the field at halftime and be a part of school spirit. "As convincing
and as determined as Kay was that day in my office, I knew I had to agree
with her idea for I figured she could easily go to the 'higher ups' and
I really liked being principal!" said Mr. Davis at the team's Golden Anniversary
celebration in 1986. After graduation, Kay returned to Edinburg H.S. to
teach physical education and to direct the Red and Blue Sergeanettes, as
they would be named in 1936.
They had beautiful red and blue military style uniforms that had shiny
brass buttons and an army style cap. They marched on the field with a 'military
swing' style. The Sergeanettes evolved into a precision dance group that
brought acclaims from around the state. They continue their rich traditions,
still following the original constitution and guidelines that were set
in 1936 under Kay Teer's (Crawford) direction.
In 1939, after earning her master's degree, Kay moved to California
to work on her doctoral degree at University of Southern California. The
physical education department was quite impressed with her work and background.
In the early forties the principal at El Centro High School was so impressed
that he offered her triple her Texas teaching salary to start a precision
dance/drill team at his school. It was an offer she could not refuse.
As Mrs. Crawford continued her doctoral studies, she organized a project
in her methods class that involved a national dance/drill team competition.
Because it was a methods class, they had to follow through with their project,
so thus became the first Miss Drill Team USA in California. It was such
a success, they continued the following year, and over thirty years later,
the oldest and most successful continuing competition in dance/drill team
history continues today and includes teams not only from across the U.S.
but several foreign countries as well.
There were over 150 schools in Texas during the 1930's and 1940's that
had pep squads or drum and bugle corps. The Ball High School Tornettes
had over 100 members and had evolved from a pep squad to a drum and bugle
corps, then a military marching group and eventually a precision drill
team. One of their directors was Barbara Tidwell, a former Kilgore College
Rangerette in the late fifties before she was recruited to come to Southwest
Texas State University to start the first team at a four year college called
the Strutters. Other schools with group membership that exceeded 100 members
at the time were: Abilene High School, Austin High School (Red Jackets),
Beaumont High School, Brownwood High School, Woodrow Wilson High School
(Dallas), El Campo High School, Gatesville High School, Reagan High School
(Houston), Sam Houston High School (Houston), Orange High School, Palestine
High School, San Angelo High School, Brackenridge High School (San Antonio),
Thomas Jefferson High School (Lassos, San Antonio), Sweetwater High School,
Temple High School ( Pepperettes ), Texarkana High School and Waco High
School, just to name a few.
Several of the teams even had boys as part of the pep squad. Some of
these teams were Brenham High School, Cameron High School, Commerce High
School, Ennis High School, Kaufman High School, Kressi High School, Mt.
Pleasant High School and Mineola High School, who led the state with the
most male participation with 25 boys in addition to 50 girls.
John Tyler High School in Tyler, Texas formed a pep squad of 34 women
in 1929. The group flourished and grew to 80 members in 1936 and was named
the Blue Brigade under the direction of Mildred Stringer. "It was the most
exciting thing to happen. The organizing of the Blue Brigade along with
the Drum and Bugle Corps, " said Katherine Saleh Peters, one of the charter
members of the Blue Brigade from 1936. "Being a part of parades including
the Fort Worth Fat Stock Show parade was a first. Remembering the John
Tyler H.S. quarter finals against Temple High School . . . we lost but
the train ride was a great adventure!" she continues. "The way I got in
the Drum and Bugle Corps was I borrowed my cousin's Boy Scout bugle since
all of the instruments had already been assigned. Lucky me!" she exclaimed.
Opal Morgan Matthews was a member of the Blue Brigade in 1942. She
had fond memories..."How we loved Mildred Stringer and how we wanted to
be just like her! One year the Blue Brigade had a big write up in Life
Magazine back when the magazine was big and everyone read it. " She continues,
"We always wore white gloves with our uniforms . . . white cotton gloves.
They were furnished to us by Burks-Walker Funeral Home!"
In 1939, Dean Masters, the vice president of Kilgore College, contacted
Gussie Nell Davis in Greenville, Texas, about coming to Kilgore to start
a group that would "be interesting and keep the folks in their seats at
halftime." They also needed to recruit women to the school since the enrollment
was primarily made up of men who were seeking to learn more about the oil
business. Miss Davis responded, "Well, what do you want, a drum and bugle
corps?" Dean Masters just laughed. He sat back in his chair and said, "over
my dead body." Miss Davis queried, "Well, what do you want?" He said, "Hmmm.
That's why I hired you."
Well, after Miss Davis conceived the idea of having a precision dance
group perform on the field with the band, there had to be a costume. So
she secured Earl Ford, an art student at the college to come up with a
drawing. She decided on the name Rangerettes because the football team
was the Rangers. The boots were not western but the gauntlets, belt and
hat were. "We were little devils wearing the skirts two inches above the
knee!" Miss Davis laughed. She took the design to Oak Cliff Uniform Company
in Dallas to make the first uniform. The man there knew exactly what to
do. He made uniforms for the drive-in restaurant waitresses and had Miss
Davis take a look at all the designs. The boots were made in Fort Worth
and the hats came from Chicago. The skirts were made in Dallas and the
blouses in Fort Worth.
September 12, 1940 marked the first performance of the Kilgore Rangerette
line on the gridiron. They came from all around East Texas to be a part
of this first group. There were 48 members on the line with 5 officers
in front. There were no reserves at the time so if someone was ill or couldn't
perform, Miss Davis donned a uniform and jumped right in the line to perform
in her place! Has the uniform changed much over the years? "Just the skirt,"
Miss Davis would explain. "It has come up, and up, and up . . . why it
is only about 12" long now!"
Word spread quickly around the country about the Kilgore Rangerettes.
They became very much in demand for special performances including conventions
and grand openings including the Shamrock Hotel in Houston. They were even
invited to appear on the Ed Sullivan Show, the Ice Capades, Macy's Thanksgiving
Day Parade, the 1946 Rose Bowl, the 1949 Cotton Bowl, and The Houston Metropolitan
Museum even declared them a new 'art form.'
In less than a decade, there was another precision dance group that
premiered from East Texas. In 1947, Tyler Junior College established the
"Tyler Roses," named for the town known as the Rose Capitol of the World.
In December of that year, the name would be changed to Apache Belles by
director Mildred Stringer, who had also founded the John Tyler High School
Blue Brigade in 1936. President of the college, Harry E. Jenkins, wanted
to have a drill team or pep squad program for women. Stringer, who continued
to direct the Apache Belles until her death in 1963, transformed the group
from the idea of a pep squad to a world famous dance/drill team with her
charisma and attention to detail. They were the first to incorporate the
uniform as a prop through their skirt and cape routines.
In 1948, former Tyler High School cheerleader, Alfred Gilliam, was
hired to be the full time dance instructor and choreographer for the Belles.
It was Gilliam who created the trademark style and unique dance routines
that made the Apache Belles famous practically overnight. Gilliam combined
style and grace to create glamorous halftime shows that kept people in
their seats at halftime.
Precision dance didn't stay exclusive to Texas long. Towards the end
of the forties, there were groups cropping up throughout Louisiana, Oklahoma,
Kansas, California and Iowa. The new group of the future for young women
continued to spread in popularity throughout the Midwest including Missouri,
Ohio, Illinois and Indiana and further west in Washington State. Show business
seemed to have an impact on the teams in California by presenting pageantry
type halftimes. This was only the beginning. Following World War II in
the late forties, the nation looked to reunification of the people and
halftime shows were an added bonus when the men cam back from the war.
Drill team was not only here to stay...it would create a new venue and
identity for young women around the nation.
Drill Team Marches On in the 50's and 60's . . .
Joyce Pennington is in the process of compiling the history of dance/drill
team for every region of the country and around the world for Dance/Drill
Team Directors of America. You will see spotlights on several states and
regions of the country in future issues along with how drill team evolved
and spread during the 1950's to present. If you have information that would
be helpful in completing an accurate account of the history of drill team
in your state, please contact Joyce at 800/462-5719 or e-mail to DanceADTS@aol.com.
Credits & References:
"Apache Belles Celebrate" by Cindy Nick for Dance/Drill Magazine winter
1997
"Texas Cheerleaders...the spirit of America" by John Hawkins St. Martin's
Press
"An Evaluation of the High School Pep Squads in Texas" by Kay Teer
1939 master's thesis, Univ. of Texas
"She Knows the Drill" by Joyce E. Pennington for Dance Teacher Now
Magazine May/June 1998
"Red and Blue Sergeanettes...50 years" compiled by Rosie Guerra in
1986
"Gussie Nell's Angels...there is a drill team in heaven" Vol. II by
Joyce E. Pennington American Publications 1998
Rangerette Showcase at Kilgore College transcript of interview with
Gussie Nell Davis in 1990
"The History of Drill Team in Texas" video compiled by Shannon Brewer
for TDDTEA in 1997
"Gussie Nell Davis...the legend" video compiled by Kilgore College
in 1998
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